The Harmonic Language Of Jazz Standards
Contents
- Preface
- Introduction
- Scales And Chords
- The Major Scale
- Key Signature
- The Circle Of Fifths
- Diatonic Triads
- Inversions
- Diatonic Seventh Chords
- Extended And Altered Chords
- Non-Diatonic Seventh Chord Types
- Other Chord Types
- Sixth Chords
- Suspended Chords
- Polychords and Slash Chords
- The Minor Scale
- Chord Quality
- Quick Quiz
- Functional Harmony
- Key Center
- Diatonic Harmony
- Dominant-Tonic Resolution
- Circle Of Fifths Motion
- Plagal Motion
- Double Common Tone Substitutions
- Insertions And Deletions
- Cloning
- Backcycling
- Simplification
- Functional Non-Diatonic Harmony
- Secondary Dominant Chords
- Diminished Chords
- Minor Plagal Cadences
- Tritone Substitutions
- Minor Key Harmony
- Common Idioms
- Form
- Cadential Progressions
- Precadential Progressions
- Static Progressions and Turnarounds
- Static Progressions With Transitions
- Static Progressions In Minor Keys
- Transitional Progressions
- Transitional Progressions In Minor Keys
- Modulations
- Modulation to the V
- Modulation to the IV
- Modulation to the II
- Modulation to the bVII
- Modulation to the VI
- Modulation to the bIII
- Modulation to the III
- Modulation to the bVI
- Modulation to the VII
- Modulation to the bII
- Modulation to the #IV or bV
- Harmonic Analysis
- They Can’t Take That Away From Me
- Learning And Playing Songs
- Practice
- Playing From A Lead Sheet
- Playing From Memory
- Playing In A New Key
- Playing Another Song
- Playing By Ear
- Substitution And Reharmonization
- Improvisation
- Composition
- Appendix A – List Of Standards
- Index
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